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What is Satanic Death Metal? A Comprehensive Guide

by Patria
Morbid Angel

Satanic death metal is a subgenre of death metal that blends the aggressive, fast-paced musical style of death metal with lyrical themes and imagery associated with Satanism, the occult, and anti-religious sentiments. Often characterized by guttural vocals, distorted guitars, blast beats, and dark, sinister atmospheres, Satanic death metal emerged as a more extreme and controversial form of death metal. It is known for its intense focus on blasphemous themes, rejection of organized religion, and its tendency to shock and provoke listeners through its imagery and lyrical content.

Origins of Death Metal and its Evolution into Satanic Death Metal

Death metal originated in the mid-to-late 1980s as an offshoot of thrash metal and early extreme metal. Bands such as Possessed, Death, and Morbid Angel pioneered the genre, developing a sound characterized by fast tempos, down-tuned guitars, complex song structures, and harsh, growling vocals. These early bands were influenced by thrash metal but sought to push the boundaries of heaviness and brutality.

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Satanic death metal specifically took shape as part of the broader death metal movement, with a more concentrated focus on themes related to Satanism, anti-Christianity, and the occult. The blending of death metal’s sonic aggression with dark, blasphemous imagery gave rise to a subgenre that appeals to fans of extreme music who are drawn to themes of rebellion against religious and societal norms.

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While death metal as a genre often explores morbid, macabre themes such as death, violence, and horror, Satanic death metal places a heavier emphasis on the demonic, the esoteric, and the explicitly anti-religious. As a result, Satanic death metal is known for its dark, confrontational nature, both musically and lyrically.

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Key Characteristics of Satanic Death Metal

Satanic death metal is distinguished by several defining musical and thematic characteristics, making it one of the most extreme forms of metal:

Lyrical Themes: The primary defining feature of Satanic death metal is its lyrical content, which often revolves around Satanism, the occult, demonology, anti-Christianity, and anti-religious themes. Lyrics may delve into depictions of hell, satanic rituals, possession, and blasphemy, all of which are designed to shock and provoke.

Guttural Vocals: One of the signature elements of death metal as a whole is its vocal style, and Satanic death metal is no exception. Vocalists in this subgenre typically use low, guttural growls, snarls, and screams to deliver their lyrics, adding to the genre’s overall dark and ominous tone. The vocal delivery is often unintelligible to the casual listener, which contributes to the mysterious and eerie atmosphere of the music.

Distorted and Down-Tuned Guitars: The guitar work in Satanic death metal is characterized by heavily distorted, down-tuned riffs that create a sense of heaviness and foreboding. These riffs are often complex, with fast, intricate picking patterns and dissonant chord progressions. Guitar solos are typically fast and chaotic, adding to the intensity of the music.

Blast Beats and Technical Drumming: Drumming in Satanic death metal is fast, aggressive, and precise. Blast beats (rapid, continuous snare drum hits combined with bass and cymbal crashes) are a staple of the genre, providing a relentless, punishing rhythm that drives the music forward. Technical drumming, including double-bass pedal work and complex time signatures, is also common in this subgenre.

Dark, Dissonant Atmospheres: Satanic death metal often incorporates dissonant harmonies, eerie sound effects, and atmospheric elements to create a dark, menacing mood. This can include the use of minor scales, diminished chords, and unsettling soundscapes that evoke feelings of dread and unease.

Notable Bands in the Satanic Death Metal Scene

Several bands are recognized for their contributions to the development and popularity of Satanic death metal. These bands have become synonymous with the genre, known for their unrelenting aggression and provocative themes.

Deicide: Perhaps the most iconic Satanic death metal band, Deicide, led by vocalist/bassist Glen Benton, is known for its overtly anti-Christian lyrics and imagery. Their self-titled debut album (1990) and subsequent releases such as Legion (1992) are landmarks in the genre, featuring blasphemous lyrics, brutal instrumentation, and Benton’s distinctive guttural vocals. Deicide’s open embrace of Satanism and frequent use of inverted crosses in their imagery helped establish them as a leading figure in the scene.

Morbid Angel: While not exclusively a Satanic band, Morbid Angel is one of the most influential death metal acts, with many of their early works featuring occult and satanic themes. Albums such as Altars of Madness (1989) and Blessed Are the Sick (1991) helped to shape the sound and thematic focus of Satanic death metal. Morbid Angel’s complex song structures, fast tempos, and technical musicianship made them pioneers in the genre.

Vital Remains: Another key player in the Satanic death metal scene, Vital Remains is known for their long, intricate compositions and intensely blasphemous lyrics. Their 2003 album Dechristianize is a standout in the genre, combining relentless speed with anti-religious themes. Vocalist Glen Benton’s involvement in later albums helped to solidify their place as a prominent force in Satanic death metal.

Incantation: While often associated with death/doom metal due to their slower, more atmospheric approach, Incantation has also been linked to the Satanic death metal scene due to their dark, occult-inspired lyrics. Their music often deals with themes of infernal damnation and ritualistic imagery, giving them a distinct place in the genre’s history.

Controversy and Reception of Satanic Death Metal

Satanic death metal is one of the most controversial subgenres of metal, largely due to its provocative lyrical themes and imagery. The explicit use of Satanic and anti-religious content has led to backlash from religious groups and censorship in certain regions. Some countries have banned Satanic death metal albums or restricted the performances of certain bands, citing concerns over blasphemy and incitement to violence.

Despite this, many fans and musicians in the Satanic death metal scene view the genre’s themes as a form of rebellion against organized religion and societal norms. For some, the use of Satanic imagery is symbolic rather than literal, representing a rejection of authority, conformity, and oppressive ideologies. In this way, Satanic death metal can be seen as a form of extreme artistic expression, challenging boundaries and pushing the limits of acceptable content in music.

Influence on the Broader Metal Scene

Satanic death metal has had a significant influence on the broader metal community, particularly in the realm of extreme metal. It has played a role in shaping the thematic and musical elements of other subgenres, such as black metal and war metal, both of which share similar lyrical content and aesthetics. Bands in these related genres often adopt Satanic or anti-religious themes, but with varying levels of intensity and focus.

The genre’s emphasis on technical musicianship, speed, and brutality has also influenced other extreme metal bands, leading to the development of more complex and aggressive forms of metal music. Satanic death metal remains a niche but impactful genre within the larger metal landscape, known for its uncompromising approach to both sound and subject matter.

See Also: What Are the Mental Effects of Heavy Metal?

Conclusion

Satanic death metal remains a controversial and polarizing genre within the metal community. Its combination of aggressive, technical musicianship with dark, blasphemous themes has carved out a unique space within extreme metal, appealing to fans who are drawn to its intensity and rebellious nature. As the genre continues to evolve, newer bands may take Satanic death metal in even more extreme or innovative directions, but its core elements—Satanic themes, guttural vocals, fast tempos, and dark atmospheres—will likely remain central to its identity.

The subgenre’s legacy is one of provocation and resistance, a reflection of its artists’ desire to challenge religious and societal norms through the medium of extreme music. While it may never achieve mainstream acceptance, Satanic death metal will continue to thrive in underground circles, pushing the boundaries of what metal can express both musically and thematically.

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