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Top 7 Medieval Folk Rock Artists to Follow

by Barbara
Steeleye Span

Medieval folk rock is a genre that merges the haunting melodies and instrumental sounds of medieval music with the vibrant energy and storytelling traditions of rock. The result is a fusion of past and present, where ancient tunes meet modern instrumentation to create something both timeless and fresh. Over the years, several artists have emerged as pioneers of this genre, blending traditional folk instruments with electric guitars, drums, and other elements of rock. This unique mix of styles brings the tales of knights, castles, and ancient legends to life with a new, dynamic sound.

The allure of medieval folk rock lies in its ability to evoke a sense of history and fantasy while incorporating the rebellious spirit of rock music. It combines the familiar warmth of acoustic folk, with its deep roots in storytelling and melody, and the experimental energy of rock. Whether it’s the use of the lute, the presence of medieval lyrics, or the fusion of electric and traditional sounds, medieval folk rock has a distinct sound that appeals to those who enjoy both the past and the future of music. In this article, we’ll explore some of the top medieval folk rock artists and tracks that capture the genre’s essence and bring the old world into the modern age.

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Top 7 Medieval Folk Rock Artists to Follow

1. “Scarborough Fair” by Simon & Garfunkel

“Scarborough Fair,” famously performed by Simon & Garfunkel in the 1960s, is one of the best examples of medieval folk rock. The song is based on a traditional English ballad, and its melancholy tone fits perfectly with the soft, harmonious vocals of Paul Simon and Art Garfunkel. Their version, which features delicate guitar picking and subtle harmonies, preserves the ancient folk song’s haunting lyrics while adding a layer of contemporary depth. The blend of acoustic instrumentation and haunting melodies captures the essence of medieval folk, while the modern production elements lend it a timeless appeal. “Scarborough Fair” remains a standout in the medieval folk rock genre, showing how ancient ballads can be reinterpreted for new generations.

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2. “The Blacksmith” by Steeleye Span

Steeleye Span, one of the most influential bands in the folk rock scene, has embraced medieval influences throughout their career. “The Blacksmith,” from their 1970s album Please to See the King, is a prime example of their ability to merge folk, rock, and medieval themes. The track, based on a traditional English folk song, tells the story of a blacksmith’s life through vibrant instrumentation and captivating lyrics. Steeleye Span’s version is a powerful blend of electric guitars, folk melodies, and rhythmic drumming, capturing the spirit of medieval labor and life while infusing it with the energy of rock. The song’s mix of the acoustic and electric gives it a timeless sound that still feels fresh and exciting.

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3. “Jigs and Reels” by Fairport Convention

Another great track by Fairport Convention, “Jigs and Reels,” from their 1974 album Hells Below and Heaven Above, blends traditional folk dance rhythms with rock. The song features a lively mix of fiddles, guitars, and percussion, evoking the spirit of medieval festivals and revelry. The upbeat tempo and energetic rhythm make it a great example of how medieval folk rock can capture both the historical and festive aspects of medieval life. The song’s joyful, danceable nature contrasts with some of the more somber medieval tunes, showing the wide range of emotions this genre can convey. Fairport Convention’s ability to adapt ancient themes to a modern rock context is one of the key reasons they are considered pioneers of this genre.

4. “Hurdy Gurdy Man” by Donovan

Donovan’s “Hurdy Gurdy Man” is a song that blends medieval themes with psychedelic rock, and it stands out as one of the genre’s more experimental tracks. Released in 1968, the song features the distinct sound of the hurdy-gurdy, an ancient stringed instrument often associated with medieval music. Donovan’s mystical lyrics and trippy vocal style combine perfectly with the unconventional instrument, evoking a sense of historical fantasy while maintaining the free-spirited essence of 1960s rock. The song’s themes of mysticism and fantasy, along with its haunting melody, make it a perfect example of how medieval folk rock can blend historical references with modern rock sounds. The combination of the hurdy-gurdy and electric guitar offers a refreshing and innovative take on medieval music.

5. “The Knight and the Lady” by Blackmore’s Night

Blackmore’s Night, led by former Deep Purple guitarist Ritchie Blackmore, is perhaps the most recognizable name in medieval folk rock today. “The Knight and the Lady,” from their 1997 album Shadow of the Moon, is a romantic ballad that perfectly encapsulates the band’s ability to mix medieval and Renaissance music with modern rock sensibilities. The song’s use of traditional instruments like the mandolin and hurdy-gurdy, paired with Blackmore’s electric guitar, creates a unique atmosphere that transports listeners to another time. The lyrics, which tell a story of love between a knight and a lady, are deeply inspired by medieval literature, and the song’s lush instrumental arrangement amplifies this sense of fantasy and historical depth.

6. “The Hanging Tree” by Marty Robbins

Although not strictly medieval folk rock, Marty Robbins’ “The Hanging Tree” from his 1959 album Gunfighter Ballads and Trail Songs brings a touch of medieval storytelling to the American West. The song is steeped in Western folklore, telling the story of a condemned man awaiting his execution. The somber, haunting melody is reminiscent of medieval ballads, while Robbins’ deep, mournful vocals bring a gothic, almost medieval quality to the track. The use of simple instrumentation, including guitar and violin, creates an eerie atmosphere, and the lyrics evoke the timeless themes of fate and punishment that are often found in medieval tales of chivalry and law.

7. “The Wind That Shakes the Barley” by The Pogues

Although primarily known for their Celtic punk sound, The Pogues’ “The Wind That Shakes the Barley” incorporates elements of medieval folk rock through its folk-inspired melodies and historical storytelling. The track, which is based on an Irish folk song from the 18th century, recounts the pain and heartache of the Irish Rebellion. The somber tone and traditional instrumentation—acoustic guitar, fiddles, and tin whistles—bring the medieval influences to the forefront. The Pogues’ unique blend of punk energy with folk roots makes this track a perfect example of how medieval folk rock can evolve while still maintaining its deep cultural connections to history and tradition.

See Also: How Corruption and Greed Led to the Downfall of Rock Music?

Conclusion

Medieval folk rock offers a captivating blend of the past and present, where ancient melodies, historical themes, and traditional instruments merge seamlessly with the energy and innovation of rock music. The artists featured in this article—Simon & Garfunkel, Steeleye Span, Blackmore’s Night, and others—have helped to define and shape the genre, creating timeless music that continues to resonate with listeners. Whether through haunting ballads or upbeat, danceable tunes, medieval folk rock remains a vibrant and evolving genre that brings the stories and sounds of the past into the modern musical landscape. By embracing the mysteries of medieval times and infusing them with contemporary rock elements, these artists have ensured that medieval folk rock remains a beloved genre for generations to come.

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